
two figures/doorkeepers: 1)
Kraus'
wagenturlaufmacher; this figure exists in
Kraus' imagination and is like
Nately's whore in Catch 22; in Vienna wherever
Kraus goes the
doorekeeper jumps out of nowhere to open a carriage door;
Kraus even dreams about him-the carriage door handle is for him 'the pledge of his hope and his everything'; and of course the same figure will be in attendance to open the door of
Kraus' hearse. The doorkeeper is not a symbol of alienation
ie an object of sympathy. Think of him more as a
Jackowski image
ie a 'vigilant dreamer'. Or 2) like Kafka's doorkeeper in Before the Law; we don't worry about his job prospects; he is another vigilant dreamer.