
Dostoevsky says Quixote comes to yearn for realism. Are not the Knight and his squire more worldly than this suggests? For example the adventure of the braying where Q abandons S in face of overwhelming odds; 'I have retreated not fled' says Q; S is unimpressed: Dostoevsky's reading is that faced with the collapse of one fantasy then Quixote (and everyone) invents a further to save the first. The two travellers have a discussion about the adventure and have no problems with realism and fantasy; pragmatism occurs. Maybe this is a turning point for S. Dostoevsky makes too
literalist a reading. See
blog 6 and how to answer 'what song the sirens sang'.